![]() But especially about Dexter's playing it can be said, that he had modified his style during the sixties, absorbing ideas from musicians, who originally had been influenced by him (listen to some very Coltrane-ish licks on 'Night in Tunisia'). At this really happy date the musicians decided to play tunes, that go back to the time, when those guys first gigged and recorded together, like Parker's 'Scrapple from the Apple'. This session is a meeting between three of the most influential musicians of the forties (Dexter, Bud Powell and Kenny Clarke as 'Americans in Paris'), completed by the great french bassist Pierre Michelot.
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